Hi,
I once had the Taylor DDSM with the LR Baggs Hexaphonic pickup:
DDSM09.0908.120c.jpg
This is an actual picture of my old guitar! I had to sell it. Now I have the Ibanez AES20BK:
AES20EBK-ab6fa34d11df3813eaf0aa810fb1684d.jpg
It's a decent fingerstyle guitar with 2 and 1/4 spacing at the saddle. I love the pre-amp in it because it has a balanced XLR out and sounds great through the mic input on my amp. I want to put the same hexaphonic pickups I had in the DDSM in this guitar, run it into the pre-amp and out the XLR. I don't want to compromise when I upgrade hardware. It looks like LR Baggs has discontinued this product, so I am wondering about my options, and have several questions: 1) Would I be compromising at all by installing the LB6X instead? 2) I set my action very low, how could I do this with the LB6X when it's all one piece? Do I order custom? Where can I find specs on the height of this thing? 3) Could I use this product http://www.musiciansfriend.com/acces...ge-pickup-gold and take out the pickups to place them in the saddle slot? Remember..2.25'' spacing. 4) Is the Hex system used in the DDSM available anywhere? Everywhere I looked is sold out and it rarely appears on eBay. 5) I don't know anything about why the saddle is orientated like it is. On the Ibanez, is is slanted with the 'B' string set back. On the DDSM it achieves this by having individual spots carved out for each pickup. It appears to be the same on the image used on this old product page: http://www.musiciansfriend.com/acces...ckups-set-of-6 But if I installed them, I'd have to just stick them in the saddle slot in a straight line with some kind of shims in between. Would this ruin the intonation of my guitar? I have no idea how this works.
Doyle's new signature Guild is using the LB6X and it sounds well-balanced but I really just loved the sound that came out of the Hex in the Taylor (I think the Hex sounded much better, somehow more balanced and hot? Maybe it was the tone. I am very particular about my tone and don't like sounding like an acoustic guitar (scratchy, thin) at all, instead I aim to sound like a piano: smooth, full, brilliant, balanced) and don't want anything less. What should I do?
I once had the Taylor DDSM with the LR Baggs Hexaphonic pickup:
DDSM09.0908.120c.jpg
This is an actual picture of my old guitar! I had to sell it. Now I have the Ibanez AES20BK:
AES20EBK-ab6fa34d11df3813eaf0aa810fb1684d.jpg
It's a decent fingerstyle guitar with 2 and 1/4 spacing at the saddle. I love the pre-amp in it because it has a balanced XLR out and sounds great through the mic input on my amp. I want to put the same hexaphonic pickups I had in the DDSM in this guitar, run it into the pre-amp and out the XLR. I don't want to compromise when I upgrade hardware. It looks like LR Baggs has discontinued this product, so I am wondering about my options, and have several questions: 1) Would I be compromising at all by installing the LB6X instead? 2) I set my action very low, how could I do this with the LB6X when it's all one piece? Do I order custom? Where can I find specs on the height of this thing? 3) Could I use this product http://www.musiciansfriend.com/acces...ge-pickup-gold and take out the pickups to place them in the saddle slot? Remember..2.25'' spacing. 4) Is the Hex system used in the DDSM available anywhere? Everywhere I looked is sold out and it rarely appears on eBay. 5) I don't know anything about why the saddle is orientated like it is. On the Ibanez, is is slanted with the 'B' string set back. On the DDSM it achieves this by having individual spots carved out for each pickup. It appears to be the same on the image used on this old product page: http://www.musiciansfriend.com/acces...ckups-set-of-6 But if I installed them, I'd have to just stick them in the saddle slot in a straight line with some kind of shims in between. Would this ruin the intonation of my guitar? I have no idea how this works.
Doyle's new signature Guild is using the LB6X and it sounds well-balanced but I really just loved the sound that came out of the Hex in the Taylor (I think the Hex sounded much better, somehow more balanced and hot? Maybe it was the tone. I am very particular about my tone and don't like sounding like an acoustic guitar (scratchy, thin) at all, instead I aim to sound like a piano: smooth, full, brilliant, balanced) and don't want anything less. What should I do?
Comment