How is it going for those of you trying out the VPDI live? Are the presets you are making at home are working out, or do they need a lot of tweaking at the venue?
Are you sending DI out to FOH from the VPDI, or DI out of your acoustic amp?
This is such a powerful tool, and having a decent amount of studio engineering experience myself, I don't have a problem dialing in a good direct sound at home. Yet when I get to the gig, I find new frequencies might be feeding back, and I start notching those out, and by the end of it sometimes I've taken so much out that the guitar is sounding a bit thin. At that point it would probably be better to start from scratch, eq-wise, but I haven't had proper time to do that in sort of throw-and-go situations.
There's obviously a bit of a learning curve here, and I'm just curious how others experiences are going, or if anything has helped you create presets that hold up well in different rooms.
(I think I may need to eq my presets LESS at home in the studio and leave more of it to be done in the actual rooms I'm playing.)
Are you sending DI out to FOH from the VPDI, or DI out of your acoustic amp?
This is such a powerful tool, and having a decent amount of studio engineering experience myself, I don't have a problem dialing in a good direct sound at home. Yet when I get to the gig, I find new frequencies might be feeding back, and I start notching those out, and by the end of it sometimes I've taken so much out that the guitar is sounding a bit thin. At that point it would probably be better to start from scratch, eq-wise, but I haven't had proper time to do that in sort of throw-and-go situations.
There's obviously a bit of a learning curve here, and I'm just curious how others experiences are going, or if anything has helped you create presets that hold up well in different rooms.
(I think I may need to eq my presets LESS at home in the studio and leave more of it to be done in the actual rooms I'm playing.)
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