In the past I have owned both the Fishman Spectrum DI and Tone Dexter with a variety of pickups and was never happy. Currently playing a Martin 000-28 (2020) with a K&K Pure Mini. Decided to give the Voiceprint DI a whirl. After a couple of hours I had the same frustrations I had with the previous IR units. Weird phase between the image and pickup, feedback, bloated bottom and low mids, etc. Had the VPDI all boxed up to be returned but thought about it on a long drive yesterday and came up with a concept that I tried this morning, something I was unable to do with either the Fishman or Audio Sprockets unit.
Since the VPDI has two EQ's, one overall and one strictly for the Voiceprint, I went to the overall EQ, selected the 'High Cut' preset and exagerated it, down to -12 dB at 8k on the treble and -6 at 3.5k on the high mid, high pass filter set at 75 Hz. I also put the low pass filter back up to 20k. This gives me a very dark pickup sound. I then went to the Voiceprint EQ and reversed the EQ, +12 dB at 8k and +6 dB at 3.5k, effectively returning the Voiceprint to flat. With the blend set to 50/50, I set the high pass on the Voiceprint to 240 hZ. This allows the pickup to handle everything below 240 hZ on its own, then the pickup rolls off and lets the natural sounding top end of the Voiceprint take over.
I haven't had a chance to try it live yet, but I was able to turn the volume up in the house way louder than ever before without feedback, or any strange resonances, and it sounds great. Definitely promising enough that the VPDI won't be going anywhere yet. Anyone else tried this approach? Caleb?
Since the VPDI has two EQ's, one overall and one strictly for the Voiceprint, I went to the overall EQ, selected the 'High Cut' preset and exagerated it, down to -12 dB at 8k on the treble and -6 at 3.5k on the high mid, high pass filter set at 75 Hz. I also put the low pass filter back up to 20k. This gives me a very dark pickup sound. I then went to the Voiceprint EQ and reversed the EQ, +12 dB at 8k and +6 dB at 3.5k, effectively returning the Voiceprint to flat. With the blend set to 50/50, I set the high pass on the Voiceprint to 240 hZ. This allows the pickup to handle everything below 240 hZ on its own, then the pickup rolls off and lets the natural sounding top end of the Voiceprint take over.
I haven't had a chance to try it live yet, but I was able to turn the volume up in the house way louder than ever before without feedback, or any strange resonances, and it sounds great. Definitely promising enough that the VPDI won't be going anywhere yet. Anyone else tried this approach? Caleb?
Comment